[Contains spoilers. Big spoilers. Reading past this point will reveal a bunch of spoilers for the "Batman Reborn" storyline.]
I think it's interesting that Hine accomplishes much of Arkham Reborn's horror in retrospect, and not in fact. Some of the goriest scenes of the book (or, at least, the goriest left up to the reader's imagination) are in the childhood remembrances of Dr. Jeremiah Arkham's patient No Face, the criminal Raggedy Man, or Arkham's assistant Alyce Sinner. Hine creates suspense in that the reader knows something terrible has brought the character to this point, and then the reader relives the character's origins knowing that the terrible moment is inevitably imminent.
As the book progresses, the terror of the book moves from the abstract to the immediate. Clayface, Mr. Freeze, and Killer Croc all suffer attacks, but the Raggedy Man's is perhaps the most shocking, as Sinner forces Raggedy Man to kill himself by cutting himself open. The increase in actual violence mirrors Jeremiah's growing loss of control of the asylum, until, in the end, he himself becomes a perpetrator of violence against Mr. Zsasz. Here, surprisingly enough, Hine retreats from the horror, perhaps to demonstrate that the story is at its end; the reader is lead to believe for one moment by Zsasz's dialogue that Arkham has cut out the villain's eyes, but we find that Arkham has only delivered a minor cut instead.
If you've read Tony Daniel's Batman: Life After Death, you know that Jeremiah Arkham turns out to be the villain Black Mask. This creates an interesting dynamic in the second part of Arkham Reborn (which contains the Battle for the Cowl special, the three-part Arkham Reborn miniseries, and the two-issue Detective Comics follow-up by Hine). Black Mask would seem to be the villain here, opposing Jeremiah's efforts to rebuild the asylum via Alyce Sinner's mayhem; rather, we find in the third part that Arkham is Black Mask, and his enemy has been himself. I credit Hine in negotiating a difficult group of characters and balancing secrets kept in other titles, but still making each part of this book feel self-contained; one could easily leave the Arkham Reborn miniseries satisfied with the Jeremiah vs. Black Mask story, never missing the third part unless you knew it was there.
What Daniel and Hine establish here was perhaps inevitable; Arkham Asylum is such a large part of the Batman mythos that it seemed almost ridiculous that Arkham himself wasn't a villain, and now he is. Hine directly addresses one of the great conceits of the Batman stories -- that Arkham is supposed to be this vaunted asylum but yet they can never seen to rehabilitate nor even retain most of their prisoners -- by suggesting that Jeremiah Arkham has been under the mental control of either the Joker, Hugo Strange, or someone else almost since the beginning, and that the asylum fails on purpose. This is a fair theory, and other writers can likely build on the same in that Sinner, Black Mask's pawn, is now herself in charge of the asylum.
Daniel and Hine's stories work well together, and I imagine if one reads Life After Death, they'll want to read Arkham Reborn and vice-versa; I was pleasantly surprised, even, to find that the two books share a scene in common. The question that remained for me, however, was to who, if anyone, controlled Black Mask; Daniel has Batman considers the question in Life After Death, and Hine suggests it's either the Joker or Hugo Strange, but no mastermind actually steps forward. This made me wonder about how the two writers split this story's labor, so to speak; did Daniel pass to Hine to reveal the mystery villain, and that revelation is subtle, or is Hine purposefully playing fast and loose so that Daniel can pick it all up later? Who, dear reader, black-masked the Black Mask?
Regardless, Batman has a compelling new villain in Black Mask -- a villain easily recognizable on his own, with the added layer of being an Arkham in Arkham; I'm curious to see where the villain pops up next. Kudos to David Hine and artist Jeremy Haun for a compelling horror story I can get behind; I thought this would be light fare (and DC perhaps had to bill it as such to hide the book's secret), but I was pleasantly impressed with how it fit into the overall "Batman Reborn" storyline (the Daniel/Winick half, at least; the Grant Morrison side of things could just as soon be taking place in a different Bat-universe).
[Contains full covers]
More reviews on their way!
I actually reviewed this myself months ago and I admit to feeling iffier about things than you did.
ReplyDeleteMost of the problem, for me, centered around the Black Mask identity. For most of the volume, the book does well with dancing around the issue while still keeping it important. However, the shift from the end of Arkham Reborn to the start of the Detective two parter is just too much.
I read AR without having read Life After Death, but due to spoilers I already knew who Black Mask was. It's played up as almost a mystery in the background, affecting the asylum and character. One which is anti-climactically dropped on the readers lap just like that when we pick up the story in the Detective issues. I thought the shift was just absolutely jarring; while I realize the collections contents were something of a companion to the story Daniel was telling, it really did itself no favors as it's own story.
After all, I really don't see why the whole thing was just ignored. The Arkham one shot from Battle for the Cowl essentially recapped everything that happened leading up to the story. Why that didn't happen - especially when Detective was doing something completely different before the Arkham two parter - is just baffling. Detective was basically killing time after that anyways, so it could have afforded another issue to recap what happened elsewhere. At the least, a two page deal showing what happened in the interim would have made it work on its own. For anyone who might go into the story cold, it's a very real downside.
I see your point in that Arkham Reborn doesn't quite stand alone without Batman: Life and Death, and in that way readers of Arkham Reborn do get just part of the story for their money.
ReplyDeleteThat said, for me I liked the break between Arkham Reborn and Detective Comics. With such a great psychological element to the story, the part that began, in essence, "What I've told you so far was a lie ..." worked for me in the tradition of Agatha Christie and Alfred Hitchcock.
My take on it; I see how "you must read this to get that" can be frustrating.
I read Arkham Reborn but not Batman: Life After Death, and I was totally okay with how this book worked on its own. Once I got to the Detective Issues, I was a little put off by the "Arkham is Black Mask" thing at first, until it mentioned that it was a double-identity thing where Jeremiah didn't know that he himself was Black Mask; then the ending where it was revealed that a lot of what we saw (through Jeremiah) was all in his mind, I was satisfied with that as explaining away the perceived inconsistencies in the story. I was initially a little confused as to how Sinner became the new head of the asylum after being "caught" by Jeremiah at the end of the mini-series, but I think that also works because she can play miss innocent while Jeremiah gets locked away.
ReplyDeleteI've always thought the head of Arkham, as a regular supporting character in the Batman books, would be interesting, but Jerimiah Arkham has appeared inconsistently over the years, sometimes present at Arhkham and sometimes conspicuously missing. Pity the writers won't have time to play with this more -- unless they will; I hear there's some continuity inconsistency with Jermiah Arkham in the new DCU ...
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